The fabulous gallery spaces at Fort Gorgast were the setting for my first exhibition. Michael Gauss’ photos capture the magical spirit of the building that is part of Forte Cultura. Many thanks to him, and to all those who joined us for an unforgettable party!
Here’s some pictures from both my studio in the countryside and from atelier training at the Art Academy in Stroud (Gloucestershire).
While the last paintings are still being framed, I am already very much looking forward to the opening on 20 May.
From my archives: an essay about Czechoslovakia one year after the fall of the communist regime, a country caught between revolution and an impossible restauration.
The brain is conservative. It tends to have set ideas about the human body that get into your way when drawing with live models. Models often hold poses for only three to ten minutes. The classes are designed to get you out of your comfort zone. No time to think about proportions. You have to trust your eyes, and your hand. Either you get it, or you don’t.
From my archives: an essay about the facts and the emotions surrounding the orderly departure of the Russian army after the reunification of Germany. Many of the 373,800 soldiers and 208,400 civilians from the former Soviet Union left for a future of great uncertainty, leaving behind devastated housing areas, polluted soils and vast empty spaces.